Every gown is the result of five decisions, made over weeks, by one hand.
A commission begins with a sketch on paper, drawn in conversation with the client. Silhouette, fabric, embellishment, and timeline are agreed before any fabric is cut.
The sketch is signed and held in the atelier as the contract for the piece.
A toile — the practice garment, in muslin — is cut from the sketch and fitted to the client's body. Every adjustment that will be made on the final gown is made first on the toile: the rise of the bodice, the fall of the skirt, the line of the shoulder.
No final fabric is cut until the toile sits the way the founder wants it to sit.
The final fabric is cut to the toile's measurements. GHOHARY pieces are built from crepe, satin, and crystal — and only those. No filler. No synthetic substitution.
The fabric is laid out one piece at a time and cut once.
The bodice is moved to the embroidery frame. A fully embroidered piece carries between forty and seventy thousand individual placements — crystal, bead, sequin, thread. Each is set by hand, in the order the design requires, in pairs, often through the night.
The finished gown is fitted on the client one final time. Hems are set, closures are aligned, the inner facing is signed under the seal MG.
The piece leaves the atelier only when the founder considers it finished. Meet the hands behind the work →
Every piece begins with a conversation. Reserve a time at our Al Wahda, Dubai atelier.
Begin a Commission